Category Archives: film

TFP1

DARREN: My favorite kind of music is trust-fund punk.

KARREN: My favorite kind of tunnel is carpal. My favorite academic trend is the linguistic turn

DARREN: like in the 80s?

KARREN: yeah. I felt so good when scholarship took a linguistic turn

DARREN: One time you told me that you thought my blog was really well proofread

KARREN: it is!

DARREN: But I only thought, Ouch! faint praise!

KARREN: what’s faint about well proofed?

DARREN: i want it to be blazing and arresting, not clean

KARREN: well

DARREN: who will run the frog hospital?

KARREN: who will boost our followers?

DARREN: Steve Roeggenbuck will run the frog hospital

KARREN: we can’t name our son Ben Smith because he won’t be googleable

DARREN: I didn’t study search-engine optimization in college to help inform what we’re gonna name our son. anyway i thought we were gonna name him derrick?

KARREN:  like oil derrick?

DARREN: Like derek jeter?

KARREN: you’re embarrassing me. Have we gotten everything on our list?

DARREN: we still need salt-breath

[they turn down aisle 9, where the salt-breath is stocked]

DARREN: here’s the salt breath

KARREN [selecting a less-expensive brand]: let’s get this kind. that kind is eleven dollars!

DARREN: OK. I like this brand tho

KARREN: 11 dollars!

DARREN: OK, get the cheaper kind, but it’s not as salty. Or as breathy. It tastes like evaporated seaweed milk

KARREN: kan we talk about theater and radio and improvisation and the experience of reading plays or reading radio drama scripts

DARREN: darling i’d prefer not to in the supermarket. can it wait till we get home?

KARREN: I dunno. did you hear annie baker on WTF?

DARREN: yes. a fine reminder  that self-deprecation can sound 100 times more self-involved than self-aggrandizement

KARREN: or you mean that self-deprecation can just be another form of self-aggrandizement

DARREN: that’s a finer way to put it

KARREN: do we like these Deep Noodles?

DARREN: I’ve never tried them

[tosses the Deep Noodles with nonchalance into the brimming cart]

[a loud trust-fund punk song begins playing on the supermarket stereo]

KARREN: but Baker was sharp and charming in that interview

DARREN: i know. it was just when they were talking about the Pulitzer that it bummed me out

KARREN: what if I’m more interested in writing dialogue that’s read on the page than I am writing something that’ll be performed?

DARREN:  watching tv or film, the only time i’m conscious of the writing is after the fact. i only think “that was well written” once it’s over. as opposed to obviously reading a novel or a poem where every sentence is another opportunity to evaluate — and consciously appreciate — the writing

KARREN: sure because the writing is submerged in film or tv or theater — you have so much else to evaluate first — the performance, the images, the sound

DARREN: why don’t more people publish novels in dialogue?

KARREN: Because they have to feed their families.

[Throws a vegan suckling pig shrink-wrapped in hot-pink plastic into the cart, which buckles and implodes]

Solo Dad on Toast

This is a recipe given to me by my wonderful friend (and one-time nemesis) Savitri Chandran, who makes it much more fruitily with granulated gnum-gnumb beans sprinkled on after the fact. I have omitted those beans here, but the dish still retains an exhilarating zest.

  • 7 white mushrooms
  • 2 english muffins
  • oil
  • pb&j
  • mirin
  • soy sauce
  • old, old quarter of an old avocado (refrigerated)
  • the red hot chili peppers feat. salt n pepa

Make sure your wife is delivering a paper on Simone Weil at a comparative literature conference. You are alone with your son, a toddler. Put two whole-grain english muffins (I use Ezekiel brand, so named because of the passage in the bible where god says, “And I will strike down upon thee with great vengeance and furious anger [plus whole-grain muffinzz, this line may have been added by King James]” and then shoots a screaming Frank Whaley in the head as acoustic desert nomad surf music starts, sounding not unlike the new Tiniawaren album but more surfey than bluesey and the opening credits roll) in the toaster oven.

The english muffins ought to be vegan — most brands seem to contain powdered milk. Are you seriously that insecure that you think having the powdered milk of some artificially inseminated factory farm cow destined for the meat grinder is going to make the nooks and crannies of your little vegetarian muffin taste any better? No. Your milky muffin is poor. Buy a better muffin.

(Also hey I want to know why the cows that make the powdered milk in your [and ok not infrequently my] muffin are lactating. You think they decided to finally take the plunge and have a baby and they read that the longer you breastfeed your baby calf the more immunities and ADHD-resistance it builds up, so they have all this extra cows milk for you? Fact: dairy farmers block their cows’ access to all third-party websites, including Slate, Salon, Mother Jones, and other outlets that might educate them about the benefits of longterm breast feeding. No but seriously dairy farmers spend a lot of time keeping those cows as pregnant as possible as long as possible and then when they can’t anymore they get chopped into cheap chili. Buy a fucking peace muffin, OK, let’s get back to breakfast–

You don’t need to toast your son’s muffin so much — just loosen it up because truth be told those Ezekiel muffins can be kinda bricklike before they’ve warmed up. Slather some PB ünd J on his and cut it into quarters, like a little time-piece. Noon to 3 p.m.: muffin. 3-6 p.m.: muffin. 6-9: yes, muffin. 9-12 midnight is muffin time. Do you understand? The sandwich will distract the child whilst you attend to your half of this meal. Now is a good time to decide that later you’ll write a blog post about breakfast, even though you have more or less stopped blogging in favor of, whatever, working, reading, writing sad diary entries that lack the zest (and embedded video) of a blog entry since you know no one will ever read them.

It’d be easy enough to just slap your muffin with hummus and move on to more pressing matters (becoming an activist, making the bed, etc). But it’s going to be a long morning, no matter how deep the reserves of fun you and your child will explore,  and you deserve more than hummus today. It’s Saturday.

Hey: Why do people frown on dads who smoke one hit of pot after their kids are asleep for the night, the baby monitor flickering quietly like a 19th-century candle? Seems hypocritical whilst these same people smile upon those selfsame dads who drink four high-octane seasonal ales after the kids are in bed. Is it safe to admit here on the barely occluded blog that Last night while my wife was out with Gerhard Richter and his extended family I tried to treat my degenerative retinal condition with illegal medicine? Before watching Steven Soderbergh’s Side Effects on Netflix I had some spooky fun times with Dodie Bellamy’s new semiotext(e) pamphlet, printed on the occasion of the 2014 Whitney Biennial. It’s called The Beating of Our Hearts, and it’s animated by (among many others) these two YouTube videos by Andrew Kenower:

If I were to try to respond with any interpretive substance to Bellamy’s essay I think I’d run out of time and brain cells and tiny dudeman would wake up from his nap and you’d never find out what to do with your muffin, now nearly toasted. Put oil in the pan or, more likely, spray it for nine tenths of a second with a spray-can of oil even though people who subscribe to gimmicky nonsense like spray-cans of oil tend to be fatter than people who just pour a little oil in the pan but know when to stop eating or who can skip meals without feeling “deprived” or who can go six hours without eating without thinking constantly of food. Cut up the mushrooms, probably not local, probably not “ethically sourced.” Throw em in there. Pour in some mirin. Mirin makes everything taste great when you sautee with it. Soy sauce in there. Salt. Pepper. Enough chili flakes so that if this were on the menu at a restaurant they’d need to put a little icon of Flea’s face or Anthony Kiedis’s wang in a sock next to this item.

Come close as you can to burning the mushrooms without burning them: Near-crispy. Spread the top of your halved muffin with the last slices of a dying avocado like the avocado had come out of a tub of vegan fruit spread. Avocado is always already a savory vegan fruit spread (in a compostable wrapper! Just kidding). Remember: Avocado is Already™. Respectfully lump the mushroom sautee on top. Retain your dignity. Don’t put anything in your mouth until you’re sitting down. Your son is almost done with his breakfast by now, having eaten his way through about “6 hours” of the “muffinly timepiece” you “wound” for him. But he’s been learning that Daddy Needs to Eat Breakfast Too (how old until he points at your middle and replies, “Not by the looks of it, Bro”?), so gently bring the muffin to your mouth, over and over, until it’s gone, as your son turns the pages of a book on the floor, quietly identifying each dog that appears there.

Serves 2.

Wales

—Here, you don’t have a job?

—No, I’m all alone, on a computer not hooked up to the internet, drinking a craft beer out of a can, composing an email to you.

—It’s almost like we’re having a beer together.

—How romantic.

—How are your studies?

—You mean the life of the mind?

—How is your life?

—My mind hurts.

—How is your salad duty?

—I’ve been making bad salads. Bag salads.

—How is your girlfriend?

—I had a dream that she died.

—But she’s alive?

—She’s working on a new translation of Émile Zola’s Germinal (1885). It’s an experimental translation where she takes liberties with the text. Instead of mineworkers, her version of the novel centers around a group of flowers.

—Anthropomorphic flowers?

—Is there any other kind?

—Yes

—Non-anthropomorphic flowers?

—The flowers take place in an election year and the gummy part of my car’s tyres.

—Huh. I think Uncle’s gone into one of his Tish-rages again, Paulice–

—Right. Grab the corduroy. A wide wale will be wanted for tonight. Oh, hush, Uncle; please don’t. Stop fussing. It’s Auld Hallow’s Ween, for aunt grable’s sake. We musn’t brackish the whoolinancy — I mean the whoolery.

—Genre’s got a beer-boner for stoners tonight, Barbara. Barbara.

—I can’t tell if you want this exclamation mark.

—I don’t want just any exclamation point, Mark. [Pause, applause.] I want yours. [Renewed, sustained applause. A child is born.]

—This boner’s gone free.

—Now that you’re a dad, and a city councilman, you mustn’t post pseudohomoerotic flash fiction on your blog. You must only post outspoken 5 point rejections of Romney’s 5 point plan and so forth.

—You remind me of the news.

—Witch part?

—The fuzzy part with no skin.

—That’s called the Purloined Lettuce. [A mouth.] I am studying Botany with your Aunt.

—My nude aunt?

—I have a newborn baby. A child. I haven’t slept. No longer drink coffee. Go Tigers.

— I expect you’ll want to tell me about your craft beer in a can, now.

—Yes. I bought it at the supermarket with some hummus and the halloween candy. Came in a six pack just like a set of Diet Dr. Pepper, but in fact it’s an intensely hoppy microbrew from Whole Foods, Colorado!

—Durango. That candy’s not vegan

—Let’s get personal. I know writing on your blog makes you miss San Francisco.

—Of course. Who doesn’t? But the thing San Francisco doesn’t know is that I took all my shit with me to Missouri so I still have it so if I want to look at my shit like my books or the only one person I love more than anything

—Hang on, there are trick or treaters at the door. [Inaudible] [Audible] [Inaudible]. Fucker just took my last Krackel. [Pause.] Nice costume… What are you?

—Desert clown.

[Doug Liman, director of Swingers (1996), The Bourne Identity (2002), Mr. & Mrs. Smith (2005), Jumper (2008), and Fair Game (2010), walks in with Studio Monitors around his neck. Curtain.]

‘h’ideo’s’v’ideo’s’

R sent me a link to dis magazine

first thought was some fashion people are high all the time, no thanks

but then I found a video on there that through some facebook integration it said Johnny was into

so I watched it

since i’m “Working from home”

Ryan Trecartin isn’t listed in the credits but his fingerprints are smeared all over it

What the hell is Dis?

the video i liked was directed by @leilah_weinraub

who directed a film called Shakedown:

a press release came in for the band Woods:

good entertainment

word on the street is they throw better parties than Olivia Tremor Control ever did

I just made that up

I got a job as a magazine editor again. Maybe I should start punctuating my blog posts and thinking about cultivating a learnéd persona, instead of this marijuana casualty vacation tweetsturm

the job dampened*

*I never think of “dampened” as meaning “made damp” in this context, but I guess it does. In that form I think I usually imagine something being tamped rather than damped.

my enthusiasm for going Back to School, but it’s OK.
should I take presocratic philosophy or “literary journalism” or history of doc. film or 20th-c. russian lit in translation or spanish conversation or Occupy Wall Street Studies II: Thinking about Capital

leave your comments below, unless you feel hot anger, in which case go for a jog and volunteer somewhere first

you guys ever think about race

started reading pitchfork reviews reviews again, after being reminded of its presence via the NYT (again)

that guy’s voice is addictive, makes sense why he loves Tao Lin. I bought the zine.

I sent a piece of writing that wouldn’t be out of place on this blog to prism index #2, and they printed it next to a sweet chris johanson painting. which looking at it was somehow the first time I ever made the connection between his work (messy/masterful/gorgeous semi-cartoony drawings with ab/ex brush/inkwork, at once punk and mannered, skateboards and sublime landscapes,  with wry/dry inky captions that buttress the work’s philosophical ambition) and Raymond Pettibon’s.

 

 

 

 

 

 

 

 

 

 

I could’ve found better examples

My College Radio Application

Dear mom and dad,

I went to college from 1999-2003, where I lived, ate, breathed, and smoked college radio (WOBC-FM) all day every day. Then, with a year left, I dropped out to move to CA to work for a magazine. I worked there for the next eight years. Then I fell in love with a beautiful woman and she got a job in town, so I decided to follow her here and finish my B.A. To my intense delight and surprise, this makes me eligible for a show on [yr station]. When I dropped out of college, I cryogenically froze my radio show and now, eight years later, [cue music bed: http://www.youtube.com/watch?v=9_tVZFZ5PR4] my beloved show is going into the industrial microwave on MEDIUM for 6-8 minutes and dragging itself through the halls of the academy once again!

My show (TITLE TK: “WEIRD OLD GUY?”) will be freeform radio at its finest, pushing into the red w/r/t innovation and FUN. Fun must never be sacrificed to innovation. And vice versa.

Music is the bedrock of the show, and I plan to make the most of [yr station]’s rock library, in addition to my extensive personal vinyl/CD/MPEG collection. The best rock — from oddities, novelties, classics, forgotten b-sides, to brand-new singles and previews of bands coming through town. But sprinkled throughout the music will be the true jewels of the show, the multiple talk-based segments. Possibilities include:

• “Walking the Line”
Each week, a different writer (from creative writing profs, to visiting poets, to MU poetry/fiction PhDs and even undergrads) brings in one line — a line of their own poetry, or their favorite poet’s, or a sentence from a novel, or from a piece of journalism, anything — just has to be one line of “literature” for us to discuss.

(Each of these segments will have its own musical intro. Maybe Grandmaster Flash’s “White Lines” for this first one? Or Johnny Cash, sure)

• “Comics Digest”

A weekly verbal recap of what happened this week in the comics page of the Missourian

ex: “It’s been a tough week for Lois of ‘Hi & Lois’; she’s been home with the measles and her little brother won’t leave her alone!” etc etc

• “Vibin’ with the City Council”

Each week I get a Columbia city councilperson on the phone (pre-recorded, most likely; I have a ZOOM H4N I can produce several of these segs in advance, but I’ll always cue and introduce them live) and ask: what’s the vibe of the city council like this week?

• deranged/brief Self-interviews; fake interviews with pre-recorded interlocutors

• I might try a recurring feature about being a 30 year old dude taking computer science with freshman; I will probably rip lots of samples from my DVD of Rodney Dangerfield’s Back to School for this (maybe rent Happy Madison, too…). Find other old undergrads and ask them about their lives, what it’s like here for them

• I have an MU football-related idea that I’ll only tell you if you give me a show with a legit timeslot

• Reviews (with field recordings) of frat party bands (!!!!!)

• as many opportunities for live call-in segments as possible (TBD)

• Guest singles (a guest — anyone from the dean of grad studies to that girl who works at Sparky’s brings in 5 singles and we play them and talk about them)

• tiny, hilarious 5-minute radio dramas

• even tinier, even more hilarious 2-minute radio dramas in foreign languages feat. students in various MU language departments

• Much, much more

• Seriously, so much more you have no idea

• And, as I mentioned above, all of these segs, some of which may happen every week, some once a month or so, will all be sprinkled like cherries and chopped nuts over the wide swath of whipped-creamy dark-chocolate sets of top-shelf weird/funky/great music. Wire, the Fall, Olivia Tremor Control, Pixies b-sides, Unrest, Big Dipper, Deerhoof, Beefheart, Squeeze, Elvis Costello, Sonic Youth, Truman the Tiger’s Drug-Hell Singers, Is That a Real Band?, That Would Be Amazing If So, Go Betweens, Soft Boys, Soft Machine, Soft Cell, Soft Bulletin, Don Cherry, Destroyer, Cluster, Tyvek, Essential Logic, Glasser, Wreckless Eric, Nick Lowe, Sparks, Magazine, Melvins, Cardigans, Acrylics, Pterodactl, Fela Kuti, R. Stevie Moore, et al!!!!

Please let me know if you have any questions. I love you.

misc hex dump

JEB: Big sale at Nordstrom’s going on here

CLONE 1: Nordstrom’s possessive?

JEB: Nordstrom’s singular. Just the one up on Geary.

CLONE 1: You’re in San Francisco?

JEB: For a tick.

CLONE 1: What for?

JEB: Involved in a professional creative endeavor that brought me out here.

CLONE 1: But I thought you just moved?

JEB: I did. I’m back for a few days to tie up this loose end.

CLONE 1: How’d it go?

JEB: Today was one of two. Went bad. I knew it was pointless for me to come back here, but they wanted me to, and they paid for my airfare, so I did. It’s a film shoot. I was in the way and trapped feeling all day, going apeshit on the craft services table, chatting up the P.A.s. I ended up going into the office there — unrelated, mostly, to the reason I was there — and asking if I could just do miscellaneous work for them, just to be useful. I ended up editing some blog posts.

CLONE 1: Weird.

JEB: Around four I felt that my alienation had sort of topped out, so I left without saying goodbye. I just got a text from the guy being like, “Where are you? Did you go back?” Made me feel like a stoned fearful teenager. I’ll go back tomorrow. Sorry.

Then I went to Nordstrom’s because I had a gift card and bought a shirt.

CLONE 1: Your bag says Barney’s.

JEB: I changed the name because I was embarrassed.

CLONE 1: Don’t be embarrassed. You went to Barney’s because of the gift card. You didn’t ask for the gift card.

JEB: Walking through the Mission with a bag from Barney’s is much worse than walking through the Mission wearing a shirt from Barney’s.

CLONE 1: How much did the shirt cost?

JEB: More than the gift card.

CLONE 1: How much more?

JEB: Does anyone in San Francisco want to get a quick beer? I’ve got dinner plans at 8:00 or 8:30. It’s about 6:00 now.

CLONE 1: What else?

JEB: I wanted to do a misc hex dump, Dad.

CLONE 1: What are you waiting for?

JEB: …for you to turn up the background

CLONE 1: ok. go

JEB: where’s my beat

CLONE 1: boom tss tropp

JEB: well,

CLONE 1: people now peoplesoft grab a garabedian

JEB: soft pomeranian lefkowitz insaneian

CLONE 1: lobestar rodeo for Rudy (1993)

JEB: Banagrams w/ Rufio’s the only Lucky Peach you’ll need after the sex-change operation.

JEB and CLONE 1: [together] Whoa!!!

JEB: Veiled bra reduction soft is cancerous and bleeding

CLONE 1: Delete the softest tone in that tone poem’s loft hearth

JEB: label labia libel sokal hoax got supersoaked

CLONE 1: mysql childhood?

JEB: radio

CLONE 1: pornstar.

JEB: prada-paseo prado

CLONE 1: destinos,

JEB: reflectos

CLONE 1: island culture deaf squad

JEB: vegan squab; Thanksgiving

CLONE 1: gypsy marijuana trailer coat is dusty warm and febrile

JEB and CLONE 1: [together] Cool!

Kovacs

“if the famous innovators of the early days of television were the French New Wave, Ernie Kovacs would be Godard. In that no one followed him. Milton Berle and Henny Youngman and Steve Allen all created television that we now watch. Ernie Kovacs created television that no one could ever follow. There was no successor. Channel Thirteen replayed his entire archive for one brief, beautiful moment in the seventies. My mother sat me down to watch, as though it were school.”

Jonathan Lethem